Showing posts with label J-Culture. Show all posts
Showing posts with label J-Culture. Show all posts

Sunday, August 10, 2008

Japanese High School

The Japanese high school students do not drive cars. Many either walk or ride bicycles if the distance is not too great. In other cases, students must take public buses and trains, often changing lines several times in order to reach their destinations. It is not uncommon for students to spend two or more hours each day on public transportation.

Once at school, the students usually enter an area full of small lockers in which they place their street shoes and don school slippers. These slippers may be color coded: pink for girls and blue for boys. Many schools have a weekly school-wide assembly. Then students assemble in their homeroom classes for the day's studies. The school day starts with classroom management tasks, such as taking attendance and making announcements. These activities usually are conducted by the students themselves on a rotating duty schedule called toban. Each homeroom has an average of 40-45 students. Students stay in their homeroom classrooms for most of the school day while the teachers move from room to room, operating out of a central teachers' room. Only for physical education, laboratory classes, or other subjects requiring special facilities do students move to different parts of the school. Between classes and at lunch time, classrooms can be noisy, lively places. Some schools may have a cafeteria, but most do not. Even in schools where a lunch is prepared and provided to the students, they usually eat together in their homeroom classrooms. In most schools, students bring a box lunch from home, almost always consisting of foods prepared by the mother in the early morning hours, such s rice, fish, eggs, vegetables, and pickles.

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Club activities take place after school every day. Teachers are assigned as sponsors, but often the students themselves determine the club's daily activities. Students can join only one club, and they rarely change clubs from year to year. In most schools, clubs can be divided into two types: sports clubs (baseball, soccer, judo, kendo, track, tennis, swimming, softball, volleyball, rugby) and culture clubs (English, broadcasting, calligraphy, science, mathematics, yearbook). New students usually are encouraged to select a club shortly after the school year begins in April. Clubs meet for two hours after school each day and many clubs continue to meet during school vacations. Club activities provide one of the primary opportunities for peer group socialization. Most college bound students withdraw from club activities during their senior year to devote more time to preparation for university entrance examinations. Although visible in the general high school experience, it is in the clubs that the fundamental relationships of senpai (senior) and kohai (junior) are established most solidly. It is the responsibility of the senpai to teach, initiate, and take care of the kohai. It is the duty of the kohai to serve and defer to the senpai. For example, kohai students in the tennis club might spend one year chasing tennis balls while the upperclassmen practice. Only after the upperclassmen have finished may the underclassmen use the courts. The kohai are expected to serve their senpai and to learn from them by observing and modeling their behavior. This fundamental relationship can be seen throughout Japanese society, in business, politics, and social dealings.

Japanese students spend 240 days a year at school, 60 days more then their American counterparts. Although many of those days are spent preparing for annual school festivals and events such as Culture Day, Sports Day, and school excursions, Japanese students still spend considerably more time in class than American students. Traditionally, Japanese students have attended school for half a day on Saturdays; however, the number of required Saturdays each month is decreasing as the result of Japanese educational reforms. Course selection and textbooks are determined by the Japanese Ministry of Education. Schools have limited autonomy in their curriculum development. Students in academic high schools typically take three years each of the following subjects: mathematics, social studies, Japanese, science, and English. Other subjects include physical education, music, art, and moral studies. All the students in one grade level study the same subjects. Given the number of required subjects, electives are few.


At the end of the academic day, all students participate in o soji, the cleaning of the school. They sweep the classrooms and the hallways, empty trash cans, clean restrooms, clean chalkboards and chalk erasers, and pick up trash from the school grounds. After o soji, school is dismissed and most students disperse to different parts of the school for Extracurricular Activities.

An interesting component of Japanese education is the thriving industry of juku and yobiko, after school "cram schools," where approximately 60% of Japanese high school students go for supplemental lessons. Juku may offer lessons in nonacademic subjects such as art, swimming, abacus, and calligraphy, especially for elementary school students, as well as the academic subjects that are important to preparation for entrance examinations at all levels. Juku for high school students must compete for enrollment with yobiko, which exist solely to prepare students for university entrance examinations. Some "cram schools" specialize in preparing students for the examination of a particular school. Although it would seem natural for students to dread the rigor of additional lessons that extend their school day well into the late evening hours and require additional homework, many students enjoy juku and yobiko, where teachers often are more animated and more interesting than some of the teachers in their regular schools. Also, in many cases, the lessons studied in "cram schools" provide an intellectual challenge for students bored with the standardized curriculum of their regular schools.

Juku and yobiko are primarily private, for profit schools that attract students from a wide geographical area. They often are located near train stations, enabling students to transport themselves easily to juku directly from school. Juku and yobiko thrive in Japan, where it is believed that all people possess the same innate intellectual capacity, and it is only the effort of individuals, or lack thereof, that determines their achievement above or below their fellows. In Japanese schools, there is the tendency to pass students with their grade cohort. Therefore, without the supplemental juku lessons, some students could fall well behind their classmates. Yobiko also exist to serve ronin, "masterless samurai," students who have failed an entrance examination, but who want to try again. It is possible for students to spend a year or two as ronin after graduating from high school, studying at yobiko until they can pass a university entrance examination or until they give up. "Cram school" tuition is expensive, but most parents are eager to pay in order to ensure acceptance into a selective junior high school, high school, or university, and thus, a good future for their children.

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In addition to university admission, entrance to high school also is determined by examination, and the subjects tested are Japanese, mathematics, science, social studies, and English. Private high schools create their own examinations, while those for public high schools are standardized within each prefecture. Students (and their parents) consider each school's college placement record when deciding which examinations to take. Success or failure on an entrance examination can influence a student's entire future, since the prospect of finding a good job depends on the school attended. Thus, students experience the pressure of this examination system at a relatively early age. But, practice tests at school and juku help teachers to direct students toward institutions whose examinations they are most likely to pass.

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Bonsai

Bonsai is Japanese for 'tray gardening'. Bonsai trees are miniature trees; they keep their small shape and size because of being grown in a small pot or tray and through very careful pruning. The art of pruning a bonsai tree can take a very short time to learn but many people can go an entire lifetime without actually mastering the art.

History of Bonsai

Bonsai trees have been documented to exist up to 4,000 years ago everywhere from parts of Asia to Africa. The trees were originally grown in China, but then caravans started to export the trees elsewhere such as Egypt where healers would use them to produce medicines. Some were even buried in tombs with royalty.

The original art of bonsai is thought to have started in China, where it was referred to as 'penzai' before being adapted by the Japanese. Only royalty and nobility first enjoyed bonsai trees, but then in the Edo period the art form was opened up to people of all social classes.


The Art of Bonsai

Pruning bonsai trees is very difficult and takes many years of practice to perfect. Not only does a gardener have to grow the tree properly but they must also know how to prune the branches and roots to keep the bonsai trees small and healthy. This care is part of the philosophy behind bonsai trees in that they bring together three forces: Truth, essence and beauty, or, in Japanese, 'shin-zen-bi'.

When pruning bonsai trees, the Japanese ideal is to prune them in a way that does not show any kind of intervention from outside forces. The tree must always look as though it grew completely naturally with no help. On the other hand, Chinese pruning tends to be much more artistic, as gardeners grow their trees and cut them into intricate shapes and designs such as into Chinese characters or even images of animals and dragons.


Common Kinds of Bonsai

Bonsai trees come in many different forms and varieties. The formal upright tree is one of the most common, distinguished by its balanced branches and a trunk that tapers. The sister variety is one which bends and curves, leading to more variety in how it can be displayed as pleasing to the eye.

These trees can be found all over now, with growers in every corner of the globe and collections and gardens to visit in many countries including Australia, Belgium, Montreal, Canada, China, Germany and many more places in the United States and Asia. If you are interested in learning the fine art of bonsai trees, visit one of these gardens and see the kind of large-scale beauty that can come from such a small creation.

Bonsai Tree Care

Today, bonsai care has become a very popular hobby for some who maintain the spiritual connection with nature. If that sounds like you, here are there are five basic techniques in providing bonsai care.

Water and Bonsai

Bonsai trees are planted in limited amounts of unique bonsai soil. This combination necessitates that bonsai care include a frequency in the number of times watered. There are two methods that can be used to determine the dampness of the soil; one method uses a water meter that will indicate the dampness of the soil and will help to determine whether water needs to be added.

Or, by simply inserting your finger into the soil, up to the first joint, you can feel if the soil is moist or dry. If the soil is dry, add enough water to cause the water to escape from the drainage hole of the pot. Bonsai care also requires an increase in watering during the summer months and less watering during the winter months. It is also important to remember to keep the roots of the tree dry.

Sunlight and Bonsai

Depending on the needs of your specific tree, bonsai care requires that the tree receive some direct sunlight. If this is not possible your choice of tree should be based on the limited availability of light, or, alternatively, the bonsai tree can be placed outdoors to receive its daily dose of Vitamin D. One cautionary note regarding sunlight: limit exposure if your tree has been recently placed into new soil or has been trimmed substantially.

Soil Nutrients and Fertilizing

Bonsai care includes the nurturing of the soil in the spring and fall season. This nurturing should include the introduction of nitrogen, potash, and phosphoric acid into the soil. The health of your indoor bonsai tree is also dependent upon fertilization. Bonsai care should include scheduled fertilization twice a month during the spring months. Additionally, fertilization should happen once a month in later fall and through winter.

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Magewappa

MagewappaMagewappa is a traditional craftwork that has been made for about four hundred years in Odate city (Akita prefecture), which is located at the east end of Shirakami Mountains (A World National Heritage), and is also known as one of the most famous cedar growing districts in Japan.

History of Magewappa

Magewappa was first made by woodcutters in the Odate area, using straight grain Akita Cedar. The Lord of Odate Castle, Nishiie Satake, encouraged this use of the soldiers and has been passed on from generation to generation from the end of the Edo Era to the present. With the emergence of plastics, it became economically necessary for some craftsmen to change their business. Since then more people are becoming aware of real quality and craftsmanship. Odate Magewappa fits this description perfectly.

Magewappa Creation Process

For more than four hundred years our ancestors have exploited mountains, planted Japanese cedars, and repeated the process of weeding, pruning, and thinning out the forests every year to protect the beauty and health of the environment for the next generation

Finest Selection of Trees

Magewappa Even though four hundred saplings of Akita cedar are planted, at the end, less than thirty of those would be used to make products. Only Akita cedars over one hundred years old, which have survived the very severe weather conditions of northern Japan, can be bent in the manufacturing process mentioned above. Ones with a knot or even slight discoloration cannot be used.

Special Features of Magewappa

The Magewappa products are known for the brilliant elegance of their straight grain, and the light yet rich color. They meet the needs of modern lifestyle.

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Kendo

Kendo is composed of two kanji: "Ken", meaning sword, and "Do", meaning 'the way/path of'. Together the term is literally the "way of the sword". It is a martial arts tradition spawned by the traditional schools of swordsmanship (ryu) of ancient Japan, and was practiced by and large by the bushi, or samurai class of the era. As practice with real blades is inherently dangerous, the schools developed a dummy sword called a shinai, and a set of protective equipment called bogu which protects the head (men), wrists (kote), chest (do), and groin (tare).

History Of Kendo


Before the Showa period (1926-1989) it was customarily referred to as kenjutsu or gekken . Fencing with the single edged, straight bladed sword was probably introduced from the Sui (589-618) or early Tang (618-907) dynasties of China. The cultivation of sword skills flourished during the Kamakura shogunate (1192-1333). With the establishment of the Tokugawa shogunate and relative peace until the 17th century, kenjutsu went into decline. The moral and spiritual element became prominent, drawing on Confucianism, Shinto, and Buddhism, especially Zen. Following the Meiji Restoration (1868), kenjutsu went into temporary decline, but in 1879 the Tokyo Police Force initiated kenjutsu practices as a means to nurture discipline and stamina. In 1895 the Dai Nihon Butokukai (All-Japan Martial Virtue Society) was established to encourage kenjutsu and other budo arts. At the end of WWII, occupational authorities banned kenjutsu on the basis of its militaresque origins. Yet despite this, following the end of the Occupation period in 1952, the Zen Nihon Kendo Renmei (All-Japan Kendo Federation) was established. By 1957 Kendo was returned to all Japanese middle schools.

Training Kendo

Kendo training is based on a variety of movements of attack and defense known as waza . Most fundamental are stance, footwork, cuts, thrusts, feints, and parries. Today kendo has ten ranks and 3 teaching degrees, with the higher ranks regulated by the All-Japan Kendo Federation. The International Kendo Federation oversees all international kendo tournaments, acts as the umbrella organization of all international kendo organizations, and orchestrates the World Kendo Championships which occurs once every 3 years.

Though it is a highly strenuous activity, kendo is also a means to strengthen the mind and the will to improve oneself. It is this aspect of kendo that attracts many of its most devoted practicioners. A Kendo bout with skilled opponent is an intense experience. For a moment in time concentration is absolute, concious thought is suppressed, and action is instinctive. Such training develops in the serious student powers of resolution and endurance under pressure which frequently affects his or her life beyond the confines of the training hall.
The mission of the All Japan Kendo Federation states that, "The concept of Kendo is to discipline the human character through the application of the principles of the KATANA." From the beginning one must practice hard physically and develop mental control to master simple techniques. Kendo practice may be started at any age, young and old, and even with severe physical handicaps. The will to continue regular training is the essential element in learning Kendo. Kendo is practiced for character building through the manipulation of the sword calmly under great pressure. Physical prowess is less important than doing everything with full spirit even when there is no hope of winning. The essence of Kendo is attaining mental, spiritual, and physical calm with balance, thus the popular Kendo phrase, "ki-ken-tai no icchi". In effect, the spirit (ki), the sword (ken), and the body (tai) must move and act as one.

Striking The Opponent

Kendo ArmorKi You must see the target, feel the chance available to you, and work the resolve to make the cut. Often there's the "go for broke" spirit in a strike which manifests itself in the kiai or scream that arises from the gut of the kendoka.

Ken The motion of the sword in it's rise and it's descent on the target must be precisely coordinated with the will and the body's movement forward upon the target.

Tai The body must follow the will of the kendoka and the movement of the shinai as it lands on the target. The legs must lunge forward to get within striking distance, and the back must be straight. All of this is accompanied by a confident resolve to achieve the objective.

Modern Kendo

Kendo as practiced today is the result of refinements in the use of the Japanese sword spanning more than 1000 years. On the surface kendo appear to be only a physical activity: but beneath the surface are many benefits that may be acquired over a period of time through honest, sincere effort and self-examination. Kendo did not start as a clearly defined art --it evolved over centuries of trial and error through combat known as "Kenjutsu" to the present form which on the surface may be called a sport. Kenjutsu is the use of the katana in combat. Kendo is the use of a bamboo sword called the shinai to make strikes to a limited number of targets. The cultivation of the human spirit through Kendo also enhances our daily lives in work, relationships, knowledge and relaxation.

To learn Kendo, as with anything, repetitive practice in the basics is the foundation for expanding knowledge, growth, ability and true success. Training in Kendo is immediate and continuous with success as the companion of honest effort. Progress is derived from one's effort immediately, though it will seem small in comparison to the total spectrum of Kendo. Kendo success is achieved through aerobic and anaerobic physical effort, mental discipline and honest self-examination. We teach ourselves patience, discipline, cultivation of the human spirit, respect for ourselves, opponents, fellow human beings and nature as well as how to learn and and how to teach. Kendo is one of the things that can be started at any age level, childhood or old age,and with a pure spirit of learning always improve ones-self. We learn to relax under situations of high stress and perform beyond what we consider as the limits of our ability. No human being is unique, we differ only our willingness to do that which is needed.

In Kendo the practice halls are known as dojo. Although this word is in common use throughout the martial arts, it was first used in Kenjutsu many centuries ago, originating from the Buddhist term for "a place of enlightenment" probably in the 11th or 12th century. Within the dojo, training is hard and sustained, and must be so. The accent is on discipline since it is only through the sometimes harsh feudal methods that one can reach the ultimate goal of the master --mastery of oneself.

We use the word reigi to describe the discipline or etiquette of kendo. It is this reigi or good manners and respect between kendoka at all levels, that is the most unique and valuable thing that kendo can offer the modern world. It is as old as kendo itself. In a Western environment it would be impossible to impose totally Japanese culture on our students and we do not attempt this. But in any dojo the students, Japanese or not, can observe the traditional kendo reigi and this encourages the growth of a fundamental understanding of that which is naturally colored by the individual's own cultural background. One of the values of kendo training, according to many masters is that it produces a calm mind and allows its followers to face everyday problems squarely.

An aspiring kendo student must never forget that he is joining a society whose training program dates back to very ancient military practice and whose members are conditioned to accept rigors in this training not for their own sake but for the moral values behind them. For the greatest part of history, kendo or kenjutsu was practiced almost exclusively by the bushi. For the warrior: perserverance, skill-at-arms, breadth of character, steadiness, and self-control in all situations were the goals that lay at the end of a lifetime's study of swordmanship. These are still the kendoka's aims. The swordsman found that great ryus often exert a significant influence on political thought and action. They were men who commanded enormous esteem amongst their contemporaries and posterity; even today kendoka are highly regarded in Japan. It is for these reasons that kendo reigi is considered so important and is so closely observed within the dojo.

Kendo therefore, as opposed to kenjutsu, is not practiced in order to destroy opponents but rather to train oneself in character building. It is in this aim of spritual awakening that kendo has much in common with Zen Buddhism. However, kendo is deeply influenced not only by Zen but by orthodox Buddhist, Confucian, and Shinto philosophy.

The expert manipulation of the sword is only the means to the end. In a kendo match only one person may win but many people may take part. Physical prowess and technical skill are counted less important than doing everything with full spirit and participation even if there's no hope of winning. What is important is attaining mental and spiritual calm and balance.

The Concept of Kendo

The Concept of Kendo is to discipline the human character
through the application of the principles of the Katana.

The purpose of practicing Kendo is:
To mold the mind and body,
To cultivate a vigorous spirit,
And through correct and ridgid training,
To strive for improvement in the Art of Kendo;
To hold in esteem human courtesy and honor,
To associate with others with sincerity,
And to forever pursue the cultivation of oneself.

Thus will one be able
to love his country and society,
To contribute to the development of culture,
And to promote peace and prosperity among all people


(This is from All-Japan Kendo Federation's motto)

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Sunday, August 03, 2008

Japanese National Anthem

Japanese National Anthem


Do you know the Japanese National anthem? Have you ever even heard it?
Well if your like me then your answer will probably be no. So add this to your knowledge of Japanese Culture!

The anthem is a Waka Poem from the Heian period, which was later sung to a melody from the Meiji Era



Furigana

Kimi ga yo wa
Chiyo ni
yachiyo ni
Sazare ishi no
Iwao to narite
Koke no musu made

English Translation

May your reign
Continue for a thousand years.
And last for eight thousand of generations
Until pebbles
Turn into boulders
And covered with Moss

Kimi ga yo score


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Sushi Etiquette

Sushi Etiquette

Rest your chopsticks properly. If eating at a sushi bar, place your chopsticks in front of you, parallel to the edge of the bar, with the narrow ends on the "Hashioki" (a small item to rest your chopsticks) this is the most polite way to rest your chopsticks during any occasion. While it is not as polite to place them on the plate, if you do, place your chopsticks across your plate, not leaning on your plate, or haphazardly strewn across your plate.

Know Your Sushi

Know the difference between:

"Nigiri," (pieces of fish, shellfish, or fish roe over rice balls). Nigiri Sushi

"Makizushi" (rolled in seaweed)
Makizushi

"Temaki" (hand rolls).
Temaki

"Sashimi" (sliced/chilled raw fish without rice).
Sashimi

Picking Up Sushi

Use the fat end of your chopsticks to pick up sushi from a communal platter, or when serving someone else.

Never pass food from one set of chopsticks to another. During Japanese funeral rituals, family members pass bones of the deceased to each other by chopsticks. Passing food from one set of chopsticks to another mimics this ritual, and is therefore considered extremely impolite and offensive. If you must pass something to another person, pick it up, and place it on their dish, remember to use the fat end of your chopsticks. They can then pick it up with their own chopsticks.

Eating Sushi

Nigiri sushi:
Always dip your "Nigiri-sushi" upside-down in the Soy Sauce and eat it "rice-side up." Don't pinch it too hard with your shop sticks, and place it so the fish touches your tongue. (The soy sauce will cause the rice to fall apart.)
Sushi should be eaten in one bite if possible, but taking two bites is generally acceptable. However, don't put the sushi back on the plate if you bit it in half already. Once you pick it up, eat all of it.
Feel free to use your fingers as utensils. Wipe your hands on a damp towel, if they provide you with one. But generally, use your fingers for sushi, and use chopsticks for sashimi.
Clean off your plate. It is impolite to leave a grain of rice on your plate.

Ask the chef what's good, and let him pick for you, especially if it's your first time eating sushi. This shows your respect for what he does, and maybe you'll get a good snack. If you're in Japan, buy the chef a drink, like sake or beer, as a compliment.

Use Japanese

Learn a few polite Japanese words and phrases, like:

"Arigatou", Thank you. or
"Arigatou Gozaimasu", Thank you very much.

Before eating, say "Itadakimasu!" and when you're done, say "Gochisousama Deshita!" This is what Japanese say before and after they eat.

When asking for a waiter/waitress say "Sumimasen". This is the equivalent of saying "excuse me"

Sushi Ettiqutte Tips

  • If there is tea available, drink it with one hand holding it, while the other hand supports it from underneath. (Men don't have to do this.)

  • If there is sake for drinking or bottled beer, it is boorish to pour sake for yourself. Pour some into cups for others, and let your companions pour for you.

  • The purpose of the soy sauce is to flavor the fish, not the rice.
  • Word of Warning Whe Eating Sushi

  • Don't play with your chopsticks!
  • Use a scant amount of soy sauce. It is impolite to fill up your dish with excess soy sauce.
  • It's just fine to put a a small amount of wasabi on your sushi; likewise, it's fine to tell the chef (Itamae-san) that you don't want any wasabi. it will never be taken as an insult. Just use the phrase "wasabi nuki de kudasai." Some folks just don't like wasabi.
  • Don't expect the chef to handle the money. Have another employee assist you. People who handle the food never touch the money.
  • Don't ask for knives, as sushi is not that tough to eat!
  • Never stick your chopsticks in food, standing upright. This is rude, and resembles the incense at a funeral.



  • Source : www.japanlinked.com

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    Cosplay

    Cosplay

    Cosplay

    CosplayCosplay is a contraction of the two words costume and role play. Cosplay is centered on dressing like ones favorite anime, manga, and/or video game character. Some even make up there own costume from none of the above. Either way most are hand crafted. Countless hours spent on the finest details in there costume. There are also some that can be store bought but that depends on your budget and creativity.

    Where Can Cosplay Be Found?

    CosplayMany people who cosplay (deemed cosplayers) can be found at your favorite conventions such as Animazment, Comiket, Otakan, and many others. Many conventions will have a masque, costume contest and cosplay chess. These games and others along with special attention make cosplaying especially popular in the US. But what really pushed cosplaying in the state was the imported Japanese anime. Bleach, Cowboy Bebop, and Naruto are a crowd favorite to immolate.

    Not Just in Japan!

    So all in all cosplay is a growing hobby through out the world. It's the people who are truly dedicated to there particular piece of Japanese culture you see dressed up and we will continue to see out at our favorite conventions. So when you see them you will hopefully not judge but understand that if you are't dressed up you are missing out!

    Cosplay Venues in Japan

    Alcatraz E.R. CosplayMIA CAfe CosplayAlcatraz E.R. (Shibuya), Harvest Building 2F, 2-13-5 Dogenzaka, Shibuya-ku, Tokyo; tel (03) 3770-7100; www.hy-japan.com. Open 5 p.m.-midnight, Sun.-Thurs., and 5 p.m.-4 a.m., Fri.-Sat. Table charge 600 yen per person. Drinks from 600 yen; original Alcatraz cocktails from 700 yen.

    MIA-Cafe
    Postal code 101-0021
    Meiji-Bld 1F Sotokanda 3-1-2 Chiyoda-ku Tokyo Japan
    Open Hours
    Mon-Fri : 12:00-22:00 (last order 21:30)
    Sat-Sun: 11:00-22:00 (last order 21:30)
    Everyday http://www5f.biglobe.ne.jp/~miacafe/miaeng/

    Cosplay in T.V. - Maid in Akihabara

    Maid in Akihabara is a 6 episode series that was produced in Japan on 2005 and released on February 24, 2006. Each episode ran about 15 minutes, and took place in Akihabara, Tokyo - the cyber city of Japan. The story begins when a woman, named Saki, tries to find a job to hide from a bar gang, since she had worked at a bar before. She ends up getting a job at a Maid cafe called Meido no miyage (Maid's gift). She is the third maid to be joining the cafe. With the addition of being homeless, she lives in a 24h internet cafe.

    Maid in AkihabaraMaids

    * MAKO - Saki
    * Miyabi
    * Himeko

    Cast

    * Kentaro Nakakura
    * Takeshi Yoshikoa
    * Hajime



    Source : www.japanlinked.com


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    Japanese Ghosts

    Japanese Ghosts

     Obake, the Japanese "ghost," is exactly what its name suggests: "O" is an honorific prefix, while bake is a noun from bakeru, the verb meaning "undergo change." Japanese ghosts, then, are essentially transformations.

    Obake / Bakemono


    Literally, "transforming thing." Refers to any type of preternatural being. Comprises yokai and yurei, and can also be used more generally to refer to anything that is weird or grotesque.

    Yokai
    Literally, "bewitching apparition." Encompasses a wide spectrum of ghouls, goblins and monsters--some frightening, some amusing, and many bizarre. Yokai usually appear at dawn or dusk.

    Yurei
    Literally, "dim/hazy/faint spirit." Spirits of the dead who remain among the living for a specific purpose, usually to seek vengeance. Yurei generally appear between 2 and 3 AM.Yurei Japanese Ghost

    Oni
    "Demons" or "ogres." Ferocious creatures with horns and fangs that are best known for manning the gates of the various Buddhist hells and performing some of the tortures that take place in them.

    Japanese Ghost







    Check these movies out for a good Japanese scare:



    THE GRUDGE
    Hollywood meets Japanese Horror.
    RING
    Our look at one of Japan's scariest movies.
    JIGOKU (HELL)
    The classic 1960 cinematic glimpse of Purgatory.
    CURE
    Our review of this unnerving supernatural thriller.
    KWAIDAN
    Homepage for Japanese restless spirits.
    JAPANESE GHOSTS
    A history of Japanese Ghost stories.
    HARAPAN
    Fabulous collection of Japanese Ghost stories.


    Source : www.japanlinked.com

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    Japanese Lunar Calendar

    Japanese Lunar Calendar


    The Japanese lunar calendar, more commonly know as the Chinese calendar, is based on the moon phases. Today it is not commonly used, because it does not dived evenly between the 12 lunar months. Today the Gregorian calendar is commonly used in Japan. Although terms are still commonly used from the Japanese lunar calendar, days of good and bad luck, and holidays associated with the lunar year.



    The twelve animals of Japanese zodiac are:

    Animal
    Hiragana / Katakana What year where you born in? Year of the Tiger?

    Rat


    Nezumi 1996, 1984, 1972, 1960, 1948, 1936, 1924,
    Ox
    Ushi 1997, 1985, 1973, 1961, 1949, 1937, 1925,
    Tiger
    Tora 1998, 1986, 1974, 1962, 1950, 1938, 1926,
    Rabbit
    Usagi 1999, 1987, 1975, 1963, 1951, 1939, 1927,
    Dragon
    Tatsu 2000, 1988, 1976, 1964, 1952, 1940, 1928,
    Snake
    Hebi 2001, 1989, 1977, 1965, 1953, 1941, 1929,
    Horse
    Uma 2002, 1990, 1978, 1966, 1954, 1942, 1930,
    Sheep
    Hitsuji 2003, 1991, 1979, 1967, 1955, 1943, 1931,
    Monkey
    Saru 2004, 1992, 1980, 1968, 1956, 1944, 1932,
    Rooster
    Tori 2005, 1981, 1969, 1957, 1945, 1933, 1921,
    Dog
    Inu 2006, 1982, 1970, 1958, 1946, 1934, 1922,
    Boar
    Inoshishi 2007, 1983, 1971, 1959, 1947, 1935, 1923,

    The Japanese Lunar Calendar is Divided Into 24 Seasonal Distinctions:

    Date (This is approximate)
    Romaji Meaning
    January 5th
    shokan Moderate Cold

    January 21st


    taikan Severe Cold
    February 3rd / 4th
    risshun Spring Begins
    February 19th
    amamizu Rain Water
    March 6th
    kaichitsu Insects Awaken
    March 21st
    shunbun Vernal Equinox
    April 5th
    seimyou Pure Brightness
    April 20th
    kokuu Grain Rain
    May 6th
    rikka Summer Begins

    May 21st


    koumitsu Grain Fills
    June 6th
    boushu Awn Appears
    June 21st
    geshi Summer Solstice
    July 7th
    shousho Moderate Heat
    July 23rd
    daisho Great Heat
    August 8th

    rishuu

    Autumn Begins
    August 23rd
    shuubun Heat Ends
    September 8th
    kanro White Dew
    September 23rd
    shimo ori Autumn Equinox
    October 8th
    ritou Cold Dew
    October 23rd
    shousetsu Frost Decends
    November 7th
    taisetsu Winter Begins
    November 22nd
    touji Light Snow
    December 6th
    shoukan Heavy Snow
    December 22nd
    taikan Winter Solstice

    There is a new and old way to say the months. In modern Japan the English calendar can be seen quite commonly.

    English Modern japanese
    Old Japanese
    Romaji
    Romaji
    January ichigatsu mutsuki
    February nigatsu kisaragi
    March sangatsu yayoi
    April shigatsu uzuki

    May

    gogatsu satsuki
    June rokugatsu minatsuki
    July shichigatsu fzuki

    August

    hachigatsu hazuki
    September kyuugatsu nagatsuki
    October juugatsu kanazuki
    November juuichigatsu shimotsuki
    December juunigatsu shihasu

    Source : www.japanlinked.com

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    Thursday, July 31, 2008

    Geisha

    GEISHA

    Geisha (芸者 "person of the arts") are traditional Japanese artist-entertainers. The word Geiko is also used to describe such persons. Geisha were very common in the 18th and 19th centuries, and are still in existence today, although their numbers are dwindling. "Geisha," pronounced /ˈgeɪ ʃa/ ("gay-sha") is the most familiar term to English speakers, and the most commonly used within Japan as well, but in the Kansai region the terms geigi and, for apprentice geisha, "Maiko" have also been used since the Meiji Restoration. The term maiko is only used in Kyoto districts. The English pronunciation ˈgi ʃa ("gee-sha") or the phrase "geisha girl," common during the American occupation of

    Japan, carry connotations of prostitution, as some young women, desperate for money and calling themselves "geisha," sold themselves to American troops.

    Geisha Picture
    Trainee Geisha (Maiko) Kyoto Japan by Michael Reeve

    The geisha tradition evolved from the taikomochi or hōkan, similar to court jesters. The first geisha were all male; as women began to take the role they were known as onna geisha (女芸者), or "woman artist (female form)." Geisha today are exclusively female, aside from the Taikomochi. Taikomochi are exceedingly rare. Only three are currently registered in Japan. They tend to be far more bawdy than geisha. Other public figures who contributed to the creation of the modern geisha were Oiran, or courtesans, and Odoriko, dancing girls. The Odoriko in particular influenced geisha to include dance as part of their artistic repertoire.

    Geisha Picture
    A geisha at work in Gion Kyoto. Picture by ToddLara

    Geisha were traditionally trained from young childhood. Geisha houses often bought young girls from poor families, and took responsibility for raising and training them. During their childhood, apprentice geisha worked first as maids, then as assistants to the house's senior geisha as part of their training and to contribute to the costs of their upkeep and education. This long-held tradition of training still exists in Japan, where a student lives at the home of a master of some art, starting out doing general housework and observing and assisting the master, and eventually moving up to become a master in her own right (see also irezumi). This training often lasts for many years.

    The course of study traditionally starts from a young age and encompasses a wide variety of arts, including Japanese musical instruments (particularly the shamisen) and traditional forms of singing, traditional dance, tea ceremony, flower arranging (ikebana), poetry and literature. By watching and assisting senior geisha, they became skilled in the complex traditions surrounding selecting, matching, and wearing precious kimono, and in various games and the art of conversation, and also in dealing with clients.

    Once a woman became an apprentice geisha (a maiko) she would begin to accompany senior geisha to the tea houses, parties and banquets that constitute a geisha's work environment. To some extent, this traditional method of training persists, though it is of necessity foreshortened. Modern geisha are no longer bought by or brought into geisha houses as children. Becoming a geisha is now entirely voluntary. Most geisha now begin their training in their late teens.

    Are Geisha Prostitutes?

    Strictly speaking, geisha are not prostitutes. Because they entertain men behind closed doors in an exclusive manner, there has been much speculation about the underpinnings of their profession. The confusion that surrounds this issue has been complicated by Japanese prostitutes who wish to co-opt the prestige of the geisha image, and by inaccurate depictions of geisha in Western popular culture. Although a geisha may choose to engage in sexual relations with one of her patrons, geisha engagements will never involve sex.

    The first geisha was indeed a courtesan named Kako. Over time, she discovered that she had no need to engage in the red-light district. Kako was directly or indirectly to heir to many schools of Japanese art. She called herself a geisha ("arts-person") and confined herself to giving artistic performances.

    Occasionally, a geisha may choose to take a danna (an old fashioned word for husband), which is typically a wealthy man who has the means to support a geisha mistress. Although a geisha may fall in love with her danna, the affair is customarily contingent upon the danna's ability to financially support the geisha's lifestyle. The traditional conventions and values within such a relationship are very intricate and not well understood, even by many Japanese. Because of this, the true intimate role of the geisha remains the object of much speculation, and often misinterpretation, in Japan as well as abroad.


    Source : Japaneselifestyle.com.au

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    Kimono Obi

    KIMONO OBI

    The Japanese kimono obi is a traditional decorative cloth worn around the middle of a kimono.

    Beautiful Japanese girl wearing kimono & obiIntroduction to Obi

    More people the world over are recognising that Japanese traditional arts are too lovely to be left behind in the rush towards the 21st century. As Japan races forward, technologically and economically, we tend to forget its older image of picturesque teahouses and thatched roofs. Yet the design principles and philosophy behind traditional creations have not changed.

    For several decades now, Japanese women have found Western dress more practical, comfortable and economical than traditional Japanese kimono and obi attire. The trousseau of fine heirloom obi is no longer a part of modern Japanese women's lives. The decline in the kimono industry in Japan has resulted in fewer obis being produced each year.


    A young Japanese woman wearing a furisode kimono with a matching Obi.

    As a fine obi becomes scarce, many of the best obis are considered collector's items. The most rare and expensive obi is the maru obi. Vintage maru obi is most valuable, as the patina of the gold thread resembles that of an antique tapestry. Newer maru obi, while it is still beautifully designed, does not have the lustre of the older maru obi, perhaps because of the use of synthetic material in combination with silk.

    You will be paying top dollar for a high quality obi at antique shops in Japan. Some large department stores hold clearance sales several times a year. Expect to pay several hundred dollars for a used obi, while a new obi can cost several thousand dollars.








    HISTORY OF JAPANESE OBI

    Japanese kimono obiTraditional clothing of the Edo period, (1600-1868), included the kimono and obi as we know them today. The obi did not, however, become a prominent part of a woman’s ensemble until the mid Edo period. It was then that designers, weavers and dyers all focused their talent on creating a longer, wider and more elaborate obi. Obi measurement was then standardised to 360cm long by 30cm wide.

    Edo fashion was influenced by the design and style that courtesans and entertainers wear. Women of the samurai class continued to wear the simpler kosode kimono, tied together with an obi made of braided cords. Outside the samurai class, women experimented with a more elaborate kimono - the furisode, which is often seen on the Kabuki stage. Characterised by long, flowing sleeves, the furisode kimono was accented by a large, loosely tied obi.

    For many years, the obi bow was tied either at the front or on the side. By the mid-Edo period, the obi bow was tied in the back position. It was said that this style started in the mid-1700s when a Kabuki actor, imitating a young girl, came on stage with his obi tied in the back. Another reason that the back position became more acceptable was that the sheer bulk of the wider obi became too cumbersome to be positioned in the front of the kimono.

    The Meiji era, (1868-1912) witnessed a revolution in the textile industry with the advent of electric weaving looms and chemical dying techniques from the West. During this time, a woman's kimono ceased to be worn in the free-flowing style of the earlier days. The new fashion was to tuck the kimono at the waist to adjust the length of the kimono to the woman's height. These tucks and folds were visible and became part of the art of tying the obi.

    JAPANESE OBI WEAVES, DYES & STICHES

    The vast majority of obi produced in Japan today comes from a district in Kyoto known as Nishijin. Nishijin has been the centre of the Japanese textile industry since the 15th century. Nishijin is renowned for its brocade, twill and gauze production. In the late 1800’s, jacquard loom was introduced to replace draw loom.

    The high quality brocade produced by the Nishijin artisans is known as “nishiki”, which literally means "beautiful colour combination". Nishiki is characterised by the lavish use of gold and silver threads to make patterns of flowers, birds and traditional geometric designs. Another style of obi produced in Nishijin is “tsuzure” or tapestry. Both brocade and tapestry obis are the most ornate and expensive of all obis.

    Lightweight obi is made using an open weave technique. The resulting a gauze-like material, commonly referred as “karami ori”, is worn in warm weather or with a casual kimono. Another distinctive silk weave popular in the summer is the Hakata obi, which is named after the area in Kyushu where it originated. Hakata obi is characterised by a series of woven stripes.

    An unlined obi or kimono is termed “hitoe”, meaning "single layer". A double layer obi or kimono, on the other hand, is known as “hara-awase”. Any design or weave, which reflects a Chinese influence, is called “kara ori”.

    In addition to weaving, other techniques may be employed to enhance the design of an obi or a kimono. These include stencilling and hand painting, gold and silver leaf imprints, and embroidery.

    Japanese embroidery consists of several different stitches, primarily satin, split and couching stitches. Couching stitch is much longer than the other two stiches. Cotton thread used in couching may be covered in gold or silver foil to create a luxurious design. A variation on the French knot may also be used to add depth and colour to an obi or a kimono.

    Some obi may have embroidered kanji characters on one end. These kanji characters may represent the signature of the shop or the obi designer. Sometimes, the family crest of the shop owner may also be embroidered along with the shop name.


    JAPANESE OBI TYPES

    In general, the obi used depends on the type of kimono worn in any given occasion. Most formal are the metallic or colour brocade and tapestry, followed by dyed silk, woven silk, and non-silk obi fabrics. Brocade, tapestry and dyed silk obi are used for formal wear with the finest kimono, while obi made from raw silk, cotton or wool is used for everyday wear.

    Maru Obi
    The maru obi is the most formal obi, with both sides fully patterned along its length. The classic maru obi measures 33cm wide. Maru obi with narrower width can be custom made for a petite client.

    The maru obi is usually made of elaborately patterned brocade or tapestry, which is often richly decorated with gold threads. It was most popular during the Meiji and Taisho eras. However, due to its exorbitant cost and weight (which makes it uncomfortable to wear), the maru obi is rarely worn today, except for traditional Japanese weddings and other very formal occasions.

    Fukuro Obi
    The fukuro obi is a slightly less formal style than the maru obi. The fukuro obi was created in the late 1920s. The fukuro obi is made with a fine brocade or tapestry, which is patterned along 60% of its length on one side. The back of the fukuro obi may be lined with a plain silk or brocade, making it less expensive and less bulky to wear than the maru obi.

    Even though the fukuro obi is not as quite formal as the maru obi, the fukuro obi can be used for formal occasions. The length and width of the fukuro obi is the same as the maru obi. Thus, fukuro obi can hardly be distinguished from maru obi when tied over the kimono.

    Nagoya Obi
    The most convenient obi today is the nagoya obi. First produced in the city of Nagoya at the end of the Taisho era (1912-26), the Nagoya obi is lighter and simpler than the fukuro or maru obi. The nagoya obi is characterised by a portion of the obi being pre-folded and stitched in half. The narrow part wraps around the waist, while the wider part forms the bow of the obi tie. When worn, a nagoya obi is tied with a single fold, while a maru or a fukuro obi, being longer, is tied with a double fold. Most nagoya obi is less expensive a maru or fukuro obi. Nonetheless, its design can be stunning.

    Hanhaba Obi
    The hanhaba obi is thus termed, as it has half the width of other obis. The hanhaba obi is a casual obi for wear at home, under a haori (kimono coat), with children's kimono or with summer yukata.

    The fabric and design of the hanhaba obi are simpler to reflect its use for daily wear. Some of the more ornate hanhaba obi is made from a former maru obi.

    Children's hanhaba obi is often in very bright colours. It is often made with stencilling technique, rather than an elaborate embroidery or weaving.

    There is also plain black obi, which is often made with the finest silk woven with barely discernable pattern or design. Sombre, yet lovely, plain black obi is worn as part of the mourning attire.

    In a traditional Japanese wedding ceremony, a bride will wear a white obi. In the Edo era, a widow may dress in all white to signify that she will not remarry. Thus, some very old white obi may not have been used for weddings.

    MODERN USES FOR KIMONO OBI

    Be it Christmas, someone's birthday or you want to brighten up you house, an obi makes an ideal way to enjoy some traditional Japanese style and culture in every day life.

    Here are just a few ideas for how you can decorate with kimono obi.


    Source : japanese culture.com.au

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    New Year In Japan

    JAPANESE NEW YEAR




    Oseibo
    Oseibo is a key part of Japanese New YearIn Japan people give some gift in a lot of occasion. Oseibo is the most common issue as a year-end gift. They give it to their superiors, customers and teachers to express appreciation for the special services they have extended to them. Picture Asakusa Temple (c) Tomoyuki.U.


    Bonenkai
    Bonenkai is party for office colleaguesBonenkai is a party usually held among office colleagues and bosses. Bonenkai litarelly means a "Forget-the-year party" to forget the unpleasant memories of the passing year and to welcome the New Year with a fresh and serene mind. At the party, bosses usually tell their stuff to be Breiko (to forget their position and be impolite!), because the relationship in the workplace in Japan is a bit strict. For example, Japanese language has various expression for each word. One is called a polite word and another is called a modest word. People use these words in formal situation such as in a workplace. Picture Hanazono shrine.

    Omisoka
    Omisoka is the day of New Year
    s Eve. Since the New Year is the biggest event in Japan, people celebrate the Eve as well. People work so hard to prepare the New Year around one or two weeks such as cleaning (like spring cleaning in here) and shopping. The reason people do the cleaning in the

    middle of winter is to get rid of the dirty of the passing year and to welcome the New Year with a fresh and serene mind. And on Omisoka, with preparing the New Year’s special dishes called Osechi-ryori, people finish up all the work of the year. People eat Toshikoshi-soba at night and stay up till midnight to listen to the 108 chimes of a nearby temple bell. Toshikoshi-soba is a bowl of hot brown noodles in broth. The noodle is a homophone for a word that means being close and therefore signifies the approach of the New Year. The 108 chimes called Joya-no-kane, rings out the old year and rings in the New Year. It is supposed to release people from the 108 worldly sins.Pictures: Stone statue of Jizo (religious icon) and inside shrine (c) Hirotsugu Oi .

    Shogatsu
    Shogatsu is the celebration of the New Year and is the most important holiday in Japan. Entrances are decorated with a Shimekezari. A Shimekazari is a twisted straw rope with fern leaves, an orange and other items of good omen. Family gather to their hometown and spend the time together. People celebrate the New Year with sweet sake called Toso, a soup called Zoni and Osechi-ryori during the holiday. Picture Kaminarimon (shrine) (c) Tomoyuki.U.


    Otoshidama
    During the holiday, people give special allowances to their children, nephews and nieces called Otoshidama. It is the busiest season for toy shops to attract children to spend their Otoshidama. Picture lucky charms (c) Hirotsugu Oi .



    Nengajo
    People send a lot of greeting cards to their relatives, friends, business acquaintances and customers to wish them a happy New Year. Post offices in Japan collect and keep them then deliver them on the New Year day all at once. This is a good opportunity to keep in touch with old friends and acquaintances.Picture roadside to a shrine (c) Hirotsugu Oi .


    Hatsumoude
    The shrines all over Japan are packed with people from the New year
    s day to January 3rd. People go to shrine to pray for safety, happiness and long lives of the family. A lot of people are dressed up with their Kimono and buy a good luck talisman called Omamori. It is kept as a protection from illness, accidents and disasters. Picture shrine-entrance (c) Tomoyuki.U.



    How to say "Happy New Year" in Japanese - Akemashite omedeto gozaimasu

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    Samurai

    Samurai

    Guide to samurai including samurai meaning, samurai history, samurai culture, samurai pictures, samurai swords and samurai in popular culture.

    Samurai (侍 or sometimes 士) is a common term for a warrior in pre-industrial Japan. A more appropriate term is bushi (武士) (lit. "war-man") which came into use during the Edo period. However, the term samurai now usually refers to warrior nobility, not, for example, ashigaru or foot soldiers. The samurai with no attachment to a clan or daimyo was called a ronin (lit. "wave-man").


    Samurai were expected to be cultured and literate, and over time, samurai during the Tokugawa era gradually lost their military function. By the end of the Tokugawa, samurai were essentially civilian bureaucrats for the daimyo with their swords serving only ceremonial purposes. With the Meiji reforms in the late 19th century, the samurai were abolished as a distinct class in favour of a western-style national army. The strict code that they followed, called bushido, still survives in present-day Japanese society, as do many other aspects of their way of life.

    Etymology of samurai

    The word samurai has its origins in the pre-Heian period Japan when it was pronounced saburai, meaning servant or attendant. It was not until the early modern period, namely the Azuchi-Momoyama period and early Edo period of the late 16th and early 17th centuries that the word saburai became substituted with samurai. However, by then, the meaning had already long before changed.

    During the era of the rule of the samurai, the earlier term yumitori (“bowman”) was also used as an honorary title of an accomplished warrior even when swordsmanship had become more important. Japanese archery (kyujutsu), is still strongly associated with the war god Hachiman.

    Samurai
    Japanese samurai in armour, 1860s. Photograph by Felice Beato.



    Samurai History



    Origin of Samurai

    Before the Heian period, the army in Japan was modelled after the Chinese army and under the direct command of the emperor. Except for slaves, every able-bodied man had the duty of enlisting for the army. These men had to supply themselves, and many gave up returning and settled down on their way home. This was treated as a part of taxation and it could be substituted with other forms of tax such as bolts of cloth. These men were called Sakimori (防人, lit. "defenders"), but they are not related to samurai.

    Samurai Armour
    Samurai Armour - Iron helmet and armour with gilt bronze decoration, Kofun era, 5th century. Tokyo National Museum. Photo by PHG

    In the early Heian, the late 8th and early 9th centuries, Emperor Kammu sought to consolidate and expand his rule in northern Honshu. The armies he sent to conquer the rebellious Emishi lacked motivation and discipline and were unable to prevail. He then introduced the title of Seiitaishogun (征夷大将軍) or shogun and began to rely on the powerful regional clans to conquer the Emishi. Skilled in mounted combat and archery, these clan warriors became the emperor's preferred tool for putting down rebellions. Even though they may have been educated, the Imperial court officials considered 7th to 9th century warriors to be crude and barbaric.

    During the Heian period, the emperor's army was disbanded and the emperor's power gradually declined. While the emperor was still the ruler, powerful clans around Kyoto assumed positions of ministers and their relatives bought their positions of magistrates to collect taxes. To repay their debts and amass wealth, they often imposed heavy taxes and many farmers were forced to leave their lands. Regional clans grew powerful by offering lower taxes to their subjects as well as freedom from conscription. These clans armed themselves to repel other clans and magistrates from collecting taxes. They would eventually form themselves into armed parties and became samurai.

    The samurai came from guards of the imperial palace and from private guards that the clans employed. They also acted as a police force in and around Kyoto. These forerunners of what we now know as samurai had ruler-sponsored equipment and were required to hone their martial skills. They were saburai, servants, yet their advantage of being the sole armed party increasingly became apparent. By promising protection and gaining political clout through political marriages they amassed power, eventually surpassing the ruling aristocrats.

    Some clans originally were farmers that had been driven to arms to protect themselves from the imperially appointed magistrates sent to govern their lands and collect taxes. These clans formed alliances to protect themselves against more powerful clans. By the mid-Heian, they had adopted Japanese-style armor and weapons and laid the foundation of bushido, their famous ethical code.

    After the 11th century, Samurai were expected to be cultured and literate. Samurai lived up to the ancient saying "Bun Bu Ryo Do" (lit. literary arts, military arts, both ways) or "The pen and the sword in accord". An early term for warrior "Uruwashii" was a combination of the kanji for literary study ("bun") and military arts ("bu") and is mentioned in the Heike Monogatari (late 12th century). The Heike Monogatari makes references to the educated poet-swordsman ideal in mention of Taira no Tadanori's death:

    "Friends and foes alike wet their sleeves with tears and said, "What a pity! Tadanori was a great general, pre-eminent in the arts of both sword and poetry."
    According to William Scott Wilson in his book Ideals of the Samurai: "The warriors in the Heike Monogatari served as models for the educated warriors of later generations, and the ideals depicted by them were not assumed to be beyond reach. Rather, these ideals were vigorously pursued in the upper echelons of warrior society and recommended as the proper form of the Japanese man of arms. With the Heike Monogatari, the image of the Japanese warrior in literature came to its full maturity." Wilson then translates the writings of several warriors who mention the Heike Monogatari as an example for their men to follow.

    Kamakura Bakufu and the Rise of Samurai

    Originally these warriors were merely mercenaries in the employ of the emperor and noble clans (kuge). But slowly they gathered enough power to usurp the aristocracy and establish the first samurai-dominated government.

    As regional clans gathered manpower and resources and struck alliances with each other, they formed a hierarchy centered around a toryo, or chief. This chief was typically a distant relative of the emperor and a lesser member of one of three noble families (the Fujiwara, Minamoto, or the Taira). Though originally sent to provincial areas for a fixed four year term as a magistrate, the toryo declined to return to the capital when their terms ended. Their sons inherited their positions and continued to lead the clans in putting down rebellions throughout Japan during the middle and later Heian.

    Because of their rising military and economic power, the clans ultimately became a new force in the politics of the court. Their involvement in the Hogen Rebellion in the late Heian only consolidated their power and finally pit the rival Minamoto and the Taira against each other in the Heiji Rebellion of 1160. Emerging victorious, Taira no Kiyomori became an imperial advisor, the first warrior to attain such a position, and eventually seized control of the central government to establish the first samurai-dominated government and relegate the emperor to a mere figurehead. However, Taira clan was still very much aristocratic than later Minamoto. Instead of expanding or strengthening its military might, Taira clan had its women marry emperors and attempted to control through the emperor.

    The Taira and the Minamoto once again clashed in 1180 beginning the Gempei War which ended in 1185. The victorious Minamoto no Yoritomo established the superiority of the samurai over aristocrats. In 1190 he visited Kyoto and in 1192 became Seii Taishogun, establishing the Kamakura Shogunate. Instead of basing its rule in Kyoto, he set up the Shogunate in Kamakura, near his base of power. "Bakufu" means tent government, taken from the encampments the soldiers would live in, in accordance with the Bakufu's status as a military government.

    Over time, powerful samurai clans became warrior nobility (buke) who were only nominally under court aristocracy. When samurai began to adopt aristocratic customs like calligraphy, poetry and music, some court aristocrats also began to adopt samurai skills. In spite of various machinations and brief periods of rule by various emperors, the real power was in the hands of the shogun and samurai.

    Ashikaga Shogunate and the Feudal Period

    Various samurai clans struggled for power over Kamakura and Ashikaga Shogunates.

    Zen Buddhism spread among samurai in the 13th century and it helped to shape their standards of conduct, particularly overcoming fear of death and killing. Among the general populace, however, Pure Land Buddhism was favoured.


    The Samurai Suenaga facing Mongols, during the Mongol invasions of Japan. Moko Shurai Ekotoba (蒙古襲来絵詞), circa 1293.In the 13th century, Yuan, a Chinese state of the Mongol Empire, invaded Japan twice. Samurai not used to fighting in groups barely survived the first brief battle. However, they were prepared for the second invasion by building a defensive stone wall on the Mongols' landing shore, and adopting a night attack tactic. Overall, the Samurai way of warfare was incapable of inflicting significant damage upon the Mongol army, which favored tactics of large encirclement, blitzkrieg, and employed advanced weaponry (the Samurai were shocked by the Chinese grenades). In the end, it was the second typhoon that destroyed the Mongol armada, and prevented the Yuan Dynasty from annexation of Japan. Japanese deemed the typhoon "the divine wind" or "kamikaze" in Japanese.


    Samurai and defensive wall at Hakata. Moko Shurai Ekotoba, (蒙古襲来絵詞) c.1293.Two major military elements were acquired from Mongol invasions: 1) the importance of infantry and 2) the weakness of Japanese longbows and of the conventional Samurai cavalry against the invaders. As the result of this, Samurai gradually replaced the way of bow with the way of "blades". At the beginning of 14th century, swords and spears became the mainstream among Japanese samurai warlords. An innovation on Japanese sword was produced by a blacksmith called Masamune in the 14th century; the two-layer structure of soft and hard iron was adopted and the style spread rapidly with its amazing cutting power and endurance in continuous use. Since then, Japanese swords had been recognized as one of the most potent hand weapons during the pre-industrial era of East Asia. It was one of the top exported items, a few even making their way as far as India.

    The issues of inheritance caused family infighting, because primogeniture became common, while division of succession was designated by law before the 14th century. To avoid infighting, continuous invasion against neighboring samurai's territories was rather favored and bickering among samurai was a constant problem for the Kamakura and Ashikaga Shogunates.

    The Sengoku jidai ("warring-states period") was marked by the loosening of samurai culture, in a sense. Those born into other social strata could sometimes make names for themselves as warriors and thus become de facto samurai. In this turbulent period, bushido ethics became important factors to control and maintain public orders.

    Japanese war tactics and technologies improved rapidly in 15th and 16th century. Use of large numbers of infantry troops called Ashigaru ("light-foot", due to their light armour), which was formed by the humble warriors or populace, with Nagayari (長槍) or long lance was introduced and combined with cavalry in maneuvers. The numbers of people mobilized in warfare were generally in the thousands to the over hundred-thousands.


    Nanban (Western)-style samurai cuirass, 16th century.Harquebus or a matchlock gun was introduced by Lusitanians/Portuguese on a Chinese pirate ship in 1543. Japanese succeeded nationalization of it within a decade. Groups of mercenaries with harquebus and mass produced rifles played a critical role.


    Reproduction arquebuses are fired at the annual festival to commemorate the 1575 Battle of Nagashino.By the end of feudal periods, several hundred thousand rifles existed in Japan and massive armies over 100,000 clashed in the battles. The largest and most powerful army in Europe, the Spanish armies, had only several thousand rifles and could only assemble an army of 30,000. Ninja also played critical roles while engaged in intelligence activity. In 1592 and again in 1598, Japan invaded Korea with an army of 160,000 samurai in the Seven-Year War, taking great advantage of its mastery of guns.

    The social mobility of human resources was flexible, as the ancient regime collapsed and emerging samurai needed to maintain large military and administrative organizations in their areas of influence. Most of the samurai families that survived to the 19th century originated in this era. They declared themselves to be the blood of one of the four ancient noble clans, Minamoto, Taira, Fujiwara and Tachibana. In most cases, however, it is hard to prove who their ancestors were.

    Oda, Toyotomi and Tokugawa

    Oda Nobunaga was the well-known lord of the Nagoya area (once called Owari Province) and an exceptional example of samurai of the Sengoku Period. He came within few years of, and laid down the path for his successors to achieve, the reunification of Japan under a new Bakufu (Shogunate).

    He made innovations on organizations and war tactics, heavily used harquebus, developed commerce and industry and treasured innovations; the consecutive victories enabled him to realize the termination of the Ashikaga Bakufu and disarmament of the military powers of the Buddhist monks, which had inflamed futile struggles among the populace for centuries. Attacking from a "sanctuary" of Buddhist temples, they were constant headaches to any warlords and even the emperor who tried to control their actions. He died in 1582 when one of his Generals, Akechi Mitsuhide, fell down upon him with his army.


    The Samurai Hasekura Tsunenaga in Rome in 1615, Coll. Borghese, Rome.Importantly, Toyotomi Hideyoshi (see below) and Tokugawa Ieyasu, who made Tokugawa Shogunate, were Nobunaga's loyal followers. Hideyoshi was brought up from a nameless peasant to one of top generals under Nobunaga and Ieyasu had shared childhood with Nobunaga. Hideyoshi defeated Mitsuhide within a month and was regarded as the rightful successor of Nobunaga by avenging the treachery of Mitsuhide.

    These two were gifted with Nobunaga's previous achievements to build the unified Japan. So there was a saying: "The reunification is a rice cake; Oda made it. Hashiba shaped it. At last, only Ieyasu tastes it." (Hashiba is the family name that Toyotomi Hideyoshi used while he was a follower of Nobunaga.)

    Toyotomi Hideyoshi, who became a grand minister in 1586, himself the son of a poor peasant family, created a law that the samurai caste became codified as permanent and heritable, and that non-samurai were forbidden to carry weapons ending the social mobility of Japan up until that point and the dissolution of the Edo Shogunate by the Meiji revolutionaries.

    It is important to note that distinction between samurai and non-samurai was so obscure that during the 16th century, most male adults in any social class (even small farmers) belonged to at least one military organization of their own and served in wars before and during Hideyoshi's rule. It can be said that an "all against all" situation continued for a century.

    The authorized samurai families after the 17th century were the winners that chose to follow Nobunaga, Hideyoshi and Ieyasu. Large battles occurred during the times of change between regimes, and a number of defeated samurai were destroyed, went ronin or were absorbed into the general populace.

    Tokugawa Shogunate

    Samurai walking followed by a servant, by Hanabusa Itcho (1652 - 1724)During the Tokugawa era, samurai increasingly became courtiers, bureaucrats, and administrators rather than warriors. With no warfare after the early 17th century, over time, samurai during the Tokugawa era (also called the Edo period) gradually lost their military function. By the end of the Tokugawa era, samurai were aristocratic bureaucrats for the daimyo, with their daisho, the paired long and short swords of the samurai (cf. 'katana' and wakizashi) becoming more of a symbolic emblem of power rather than a weapon used in daily life. They still had the legal right to cut down any commoner who did not show proper respect; in what extent this right was used, however, is unknown. When the central government forced daimyos to cut the size of their armies, unemployed ronin actually became a social problem.

    Theoretical obligations between a samurai and his lord (usually a daimyo) increased from the Genpei era to the Edo era. They were strongly emphasized by the teachings of Confucius and Mencius (ca 550 B.C.)which were required reading for the educated samurai class. During the Edo period, after the general end of hostilities, the code of Bushido was formalized. It is important to note that bushido was an ideal, but it is surprising how uniform the code remained over time from the 13th century to the 19th century. The ideals of Bushido transcended social class, time and geographic location of the warrior class.

    Bushido was formalized by many samurai in this time of peace in much the same fashion as chivalry was formalized after knights as a warrior class became obsolete in Europe. The conduct of samurai became a favorable model of a citizen in Edo with the emphasis on formalities. With time on their hands, samurai spent more time on the pursuit of other interests becoming scholars. Bushido still survives in present-day Japanese society, as do many other aspects of their way of life.

    Samurai decline during the Meiji Restoration

    By this time, the Way of Death and Desparateness had been eclipsed by a rude awakening in 1853, when Commodore Matthew Perry's massive steamships from the US Navy first imposed broader commerce, American Style, on the once-dominant national polity. Prior to that, only a few harbor towns under strict control from the Shogunate were able to participate in Western trade, and even then, it was based largely on the idea of playing the Franciscans and Dominicans off one another (in exchange for the crucial arquebus technology, which in turn was a major contributor to the downfall of the classical samurai).


    Samurai of the Satsuma clan, during the Boshin War period, circa 1867. Photograph by Felice BeatoThe last hurrah of original samurai was in 1867 when samurai from Choshu and Satsuma provinces defeated the shogunate forces in favor of the rule of the emperor. The two provinces were the lands of the daimyo that submitted to Ieyasu after the Battle of Sekigahara (1600).

    Other sources claim that the last samurai were in 1877, during the Satsuma Rebellion in the Battle of Shiroyama.

    The main players of the revolt came from lower class samurai in every province. Their ultimate political goal was the same: to maintain the independence of Japan against Western powers. But the two daimyo clashed first and these bloody conflicts lasted for years. At last, they realized that a large serious civil war must be avoided because that was just what the foreign powers waited for. So the last shogun Tokugawa Yoshinobu returned the governing to the emperor to avoid the war. Some resisted, believing this was a coup d'état by Choshu and Satsuma and that the government was in their hands. Groups of Tohoku samurai organized an armed resistance but they were eventually defeated.

    Emperor Meiji abolished the samurai's right to be the only armed force in favor of a more modern, western-style conscripted army. Samurai became Shizoku (士族) who retained some of their salaries, but the right to wear a katana in public was eventually abolished along with the right to cut down commoners who paid them disrespect. The samurai finally came to an end after hundreds of years of enjoyment of their status, their powers, and their ability to shape the government of Japan. However, the rule of the state by the military class was not yet over.

    Post Meiji Restoration

    In defining how a modern Japanese should be, members of the Meiji government decided to follow the footsteps of United Kingdom and Germany. It would be based on the concept of "noblesse oblige" and samurai would not be a political force much like that of Prussia.

    With the Meiji reforms in the late 19th century, the samurai class was abolished, and a western-style national army was established. The Imperial Japanese Armies were conscripted, but many samurai volunteered to be soldiers and many advanced to be trained as an officer. In fact much of the Imperial Army officer class was of samurai origin. These volunteers were highly motivated, disciplined and well trained. As such the Imperial Army defeated a rebellion of samurai in the Satsuma Rebellion.

    The Japanese Empire fought and won the Sino-Japanese War (1894) and the Russo-Japanese War (1904) and it could be reasoned that these volunteers and officers were behind these victories. Most soldiers of both Chinese and Russian armies could neither read nor write and after their officers were killed, these armies quickly disintegrated.

    Many early exchange students were samurai, not because they were samurai, but many were literate and well-educated scholars. Some of these exchange students started private schools for higher educations. Some samurai took pens instead of guns and became reporters and writers to set up newspaper companies. Other samurai entered governmental services as they were literate and well educated.

    (Article based on Wikipedia article and used under the GNU Free Documentation License)




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